We’ve all seen Hamilton. Some of us – more than once. However, there are some details that we might have missed in Hamilton. They are small yet significant. Here they are!
We might have missed a lot of details in Hamilton, but have we missed that? The costume design for Hamilton is crazy, so it’s no surprise that Paul Tazewell deserves a place in the pantheon of the best costume designers in Broadway history. To maintain a balance between modernity and history, he made sure that the costumes were contemporary from neck to neck, so that everything from neck to hairstyle was modern. As was clear from the performance, this gave the concert a fresh hip-hop touch.
The female figures “dresses changed silhouettes to reflect the passage of time and the style of jour, while the only costume for King George III was accurate to the last detail. Hamilton wears green for the simple reason of money, but the color also has meaning: Jefferson’s velvet-burgundy and purple ensemble was meant to evoke Jimi Hendrix and Prince, and Daveed Diggs certainly commands the stage in a similar way.
Subtle Acknowledgements of Slavery
As Jefferson walks down the stairs and talks about freedom and revolution, the ensemble is seen scrubbing the floor on its knees. In Thomas Jefferson’s Introduction, the greatest would be: “Miss Jefferson mentions Sally as a slave, Sally Hemings, with whom he famously had a sexual relationship. While critics rightly argue that Hamilton has not done enough to combat slavery, here is another clue.
Christopher Jackson, who plays Washington, also has a subliminal moment in the background during the closing number. When Eliza talks about slavery, Washington hangs her head in shame and registers her words as words that not even Lin-Manuel Miranda knows.
How Burr & Hamilton Walk
Andy Blankenbuehler, the choreographer, made sure Hamilton moved as he represented it, showing frenetic, time-keeping angles. The staging was such that each character could show a side of himself without drawing attention to himself. Burr walks in straight lines that fit his cautious character, who only takes steps when he is convinced that they are the right and the least consequential. It is also interesting that the straight forward movement stops when Burr’s resolve dissolves.
Those moments meant so much to me and made me cry time and time again, that they made me cry, not just because of the characters but because of Hamilton.
Eliza’s Cry at the End
Lin-Manuel Miranda said he wanted to keep the meaning of those moments for the actress who played Eliza to decide. But he also said “there are certainly moments that transcend time,” like a scene in the first half of the show. In the final scene of “Eliza,” Hamilton is ordered to look at the audience, and the narrators see her again.
What do you think Eliza is looking for and what legacy will be in her after her death and that of her husband?
That is a perfectly correct interpretation, but it will literally blow you away. It is one that is succinct, full of nostalgia and sadness, and imbued with a sense of humor, humor, and a strong sense that it is all part of a much larger story.
Hamilton is the first character to be removed from the show alongside his mother, and any appearance he makes usually implies or causes death. In the original production, actress Ariana DeBose, an ensemble member, played a special role meant to symbolize death; she shook hands with Laurens in Yorktown, who died shortly after.
Next time you watch Hamilton, be sure to get the ball to Burr before he writes the letter that will be the undoing of the two men. And keep an eye out not to get these details missed in Hamilton!